翻刻
《割書：帝業曽承＿レ統神霊乃在＿レ 天緬思淳化世猶記誕生年｜本自垂＿レ衣聖非＿二唯譲＿レ国賢＿一多時停＿二土貢＿一高処望＿二 人烟＿一》
《割書：雁子歌相和梅花頌始伝 宸襟崇＿二倹約＿一黎首荷＿二陶｜甄＿一堀＿レ 地営＿二氷室＿一開＿レ溝漑＿二稲田＿一 三韓声教曁四海渥恩》
《割書：宣古廟深松裡周墻列栢辺采椽標＿二質樸＿一金鏡象＿二明｜蠲＿一享祀殊顒若威儀更粛然新嘗嘉栗備祕祝送迎》
《割書：虔初日浮＿二簾幕＿一流風逓＿二管弦＿一女巫鳴＿レ鐸出命士下＿レ輿｜前殿角祥雲合階庭福草鮮太平多＿二楽事＿一援＿レ筆且成》
《割書：＿レ萹》
若宮にて
としを経て御威（みいつ）たりせぬ宮ゐゆゑ若宮としも世に称（たゝ）ふらん 上田仲敏
正覚（しやうがく）山阿弥陀寺往生院《割書：門前町西側にあり浄土｜宗京都知恩院末》もと海東郡
新家（にゐへ）村より移りて清須にありしを慶長年中 御
遷府の時こゝにうつせり伊勢国 多気（たけ）郡 斎宮（さいぐう）村観音
寺の僧信阿 志願（しぐわん）を興（おこ）し寛文五年より信濃善光寺
の四拾八願順礼所をはじめ此所をもつて第三拾七
番とす○本尊《割書：三尊の阿弥陀は仏工春日の作脇士二像は其体｜異形にして仏像とも見えずあるひは古き八幡の神》
《割書：像なりと｜もいへり》方丈内仏本尊《割書：阿弥陀の座像恵｜心僧都の真作》涅槃（ねはん）堂《割書：元禄年中｜住僧 桟誉（さんよ）》
現代語訳
《割書：帝の事業は既に統治を承け継ぎ、神霊は天に在り。遙かに淳化の世を思い、なお誕生の年を記す。本より衣を垂れて聖なり、ただ国を賢者に譲るのみに非ず。多くの時、土地の貢ぎ物を停止し、高い所から人里の煙を望む》
《割書：雁の子の歌は相和し、梅花の頌は始めて伝わる。天子の心は倹約を崇び、民衆は陶冶の恩恵を受ける。地を掘って氷室を営み、溝を開いて稲田を潤す。三韓にまで声教が及び、四海に渥い恩恵が広がる》
《割書：古廟は深い松林の中にあり、周囲の垣根には柏が列をなす。簡素な垂木は質樸を示し、金鏡は明浄を象徴する。祭祀は特に厳粛で、威儀はさらに粛然としている。新嘗祭の嘉い栗を備え、祕祝が送迎する》
《割書：虔しく初日が簾幕に浮かび、流れる風が管弦に伝わる。女巫が鈴を鳴らして出で、命士が輿の前に下る。殿には瑞雲が角のように合い、階庭には福草が鮮やかに茂る。太平の世には楽しい事が多く、筆を取ってこの詩篇を成す》
若宮にて
年を経ても御威光が衰えない宮居ゆえに、若宮と世に称えられるのであろう 上田仲敏
正覚山阿弥陀寺往生院《割書：門前町西側にあり、浄土宗で京都知恩院の末寺》もとは海東郡新家村より移って清須にあったが、慶長年中の御遷府の時にここに移された。伊勢国多気郡斎宮村観音寺の僧信阿が志願を起こし、寛文五年より信濃善光寺の四十八願順礼所を始め、この所をもって第三十七番とする。○本尊《割書：三尊の阿弥陀は仏工春日の作、脇士二像はその体が異形で仏像とも見えず、あるいは古い八幡の神像だともいう》方丈内仏本尊《割書：阿弥陀の座像、恵心僧都の真作》涅槃堂《割書：元禄年中、住僧桟誉》
英語訳
《Small print: The emperor's achievements have already inherited the rule, and the divine spirit resides in heaven. Thinking distantly of the era of pure transformation, still recording the year of birth. Originally sacred from the time of hanging robes, not merely yielding the country to the wise. For many times stopping land tributes, looking out at human settlements from high places》
《Small print: Young geese's songs harmonize with each other, plum blossom praises first transmitted. The imperial heart reveres frugality, the people receive the benefits of moral cultivation. Digging the earth to build ice houses, opening channels to irrigate rice fields. Civilizing influence reaches even the Three Han kingdoms, generous benevolence spreads across the four seas》
《Small print: The ancient shrine lies deep in a pine grove, cypress trees line the surrounding walls. Simple rafters represent plainness, golden mirrors symbolize purity. Religious services are especially solemn, ceremonial dignity even more austere. Fine chestnuts for the harvest festival are prepared, secret prayers offered with ceremonial processions》
《Small print: Devoutly the first light floats on curtains, flowing wind carries through stringed instruments. Female shamans emerge ringing bells, officials dismount before the palanquin. Auspicious clouds gather like horns at the hall, blessed grass grows fresh in the courtyard stairs. In peaceful times there are many joyful events, taking up the brush to compose this poem》
At Wakamiya Shrine
Though years pass, the divine majesty never wanes in this shrine dwelling, thus it is called Wakamiya (Young Shrine) by the world Ueda Nakatoshi
Shōgakuzan Amida Temple Ōjōin 《Small print: Located on the west side of the gate town, Jōdo sect temple affiliated with Kyoto's Chion-in》 originally moved from Niie Village in Kaitō District and was located in Kiyosu, but was relocated here during the capital relocation in the Keichō era. The monk Shin'a from Kannon Temple in Saikū Village, Taki District, Ise Province, initiated a religious vow and from Kanpun 5 (1665) established pilgrimage sites for the 48 vows of Shinano Zenkōji Temple, making this location the 37th station. ○Main Buddha 《Small print: The Amida Triad was created by the Buddhist sculptor Kasuga; the two attendant figures have unusual forms that don't appear to be Buddhist statues, perhaps they are ancient Hachiman deity statues》 Main Buddha of the abbot's quarters 《Small print: Seated Amida statue, authentic work of Monk Eshin》 Nirvana Hall 《Small print: Genroku era, resident monk San'yo》