翻刻
明￣カ＿二于世￣ニ＿一矣然￣ノモ讀￣ム-者￣ノ間患￣フ＿レ￣フ難＿レ￣シヲ通￣シ也《割書：予》雖＿二￣ノモ不
敏￣ト＿一遊＿二￣フ此￣ノ藝￣ニ＿一有＿二積-歳＿一如＿レ￣シ得＿二￣ルカ至-所￣ヲ仍￣テ處-々￣ニ作￣リ
＿レ圖￣ヲ加￣ヘ＿二野-語￣ノ註-解￣ヲ＿一為（ス）＿二初-学￣ノ助＿一￣ト也触＿レ￣テ＿レ類￣ニ長＿レ之￣ノ
可￣キ＿レ無＿レ不＿レ￣ト至￣ヲ者￣ノカ乎
寛文十二年壬子孟夏日
星野助衛門尉實宣書
江戸室町村上平楽寺刊行
現代語訳
世に明らかとなった。しかし読む者は通じ難いことを患う。予は不敏であるとはいえ、この芸に遊ぶこと積年あり、至る所を得たかのごとく、仍って処々に図を作り、野語の註解を加えて初学の助けとなす。類に触れて之を長ずれば、至らざる所無きものか。
寛文十二年壬子孟夏日
星野助衛門尉実宣書
江戸室町村上平楽寺刊行
英語訳
became clear to the world. However, readers suffer from finding it difficult to understand. Though I am not talented, having devoted myself to this art for many years, as if I have reached some understanding, I have therefore created diagrams throughout and added annotations in simple language to assist beginners. By touching upon related matters and developing them, is there anything that cannot be mastered?
12th year of Kanbun, year of the Water Rat, first month of summer
Written by Hoshino Saemon-no-jō Sanenobu
Published by Murakami Heirakuji, Muromachi, Edo