翻刻
《割書：画十六善神同十三仏画像乕関禅師自画賛信長公所持の硯同龍の香炉同｜沈香の枕秀吉公作安土竹の花生延文元年の雲版古 銅鐸（とうちやく）信長公影堂》
《割書：の額此額は世にいふ絵馬にて則信長公自筆のはんじものなりしを当寺｜第六世白翁和尚の模（も）【摹】擬（ぎ）にして今も猶世に名高し此外什宝 夥（おひたゝし）けれど》
《割書：枚挙に遑（いとま）あら｜ねば略しぬ》
富士山観音寺清寿院《割書：同町西側にあり山城国 醍醐（だいご）の三宝院の派｜尾張美濃二ヶ国の修験の先達なり》本
尊富士権現は 土御門天皇の勅によりて駿河の浅間（せんげん）大
神の神職此地に勧請（くわんじやう）して造営ありしなり中世前津小
林の城主牧与三左衛門尉源長清富士権現を崇信（さうしん）して
七度参詣の志願を発（おこ）し三度駿河に下りて登山あ
りしが晩年に及びて遠路に堪（たへ）がたく残る四度を此
社に詣（まう）でゝ其願をはたせし故其 砌（みぎり）当社再営ありし
とぞまた信長公の家臣村瀬左馬助の末孫 修験（しゆげん）とな
りて大円坊といひしか大乗院及び此院を兼帯（けんたい）住持
せし其子宝寿院 国君より当社の地を拝領し清寿
現代語訳
《割書：画十六善神像・十三仏画像・虎関禅師自画賛・信長公所持の硯・同じく龍の香炉・同じく沈香の枕・秀吉公作安土竹の花生け・延文元年の雲版・古銅鐸・信長公影堂》
《割書：の額。この額は世にいう絵馬で、すなわち信長公自筆の判じ物であったのを、当寺第六世白翁和尚が模写したもので、今もなお世に名高い。この他什宝は数多くあるけれど》
《割書：枚挙にいとまがないので省略した》
富士山観音寺清寿院《割書：同町西側にあり。山城国醍醐の三宝院の派で、尾張・美濃二ヶ国の修験の先達である》
本尊富士権現は、土御門天皇の勅によって駿河の浅間大神の神職がこの地に勧請して造営したものである。中世、前津小林の城主牧与三左衛門尉源長清は富士権現を崇信して七度参詣の志願を発し、三度駿河に下って登山したが、晩年に及んで遠路に耐えがたく、残る四度をこの社に詣でてその願を果たした。そのため、その時に当社の再営があったという。また信長公の家臣村瀬左馬助の末孫が修験となって大円坊といったが、大乗院及びこの院を兼帯住持した。その子宝寿院は、国君より当社の地を拝領し清寿
英語訳
《Interlinear note: Paintings of the Sixteen Good Deities, paintings of the Thirteen Buddhas, self-painted eulogy by Zen Master Kokan, inkstone owned by Lord Nobunaga, dragon incense burner of the same, aloe wood pillow of the same, bamboo flower vase from Azuchi made by Lord Hideyoshi, cloud-shaped temple bell from the first year of Enbun era, ancient bronze bell,額 (framed calligraphy) of Lord Nobunaga's shadow hall》
《Interlinear note: This framed piece is what the world calls an ema (votive plaque), which was originally a rebus in Lord Nobunaga's own handwriting. The sixth-generation head priest Hakuō of this temple made a copy of it, and it remains famous in the world to this day. Besides these, there are numerous other temple treasures, but》
《Interlinear note: there is no time to enumerate them all, so they are omitted》
Fujisan Kannonji Seijuin Temple《Interlinear note: Located on the west side of the same town. It belongs to the Sambōin branch of Daigo in Yamashiro Province and serves as the leader of mountain ascetics (shugenja) in the two provinces of Owari and Mino》
The principal deity, Fuji Gongen, was established when, by imperial decree of Emperor Tsuchimikado, Shinto priests of the Sengen Shrine in Suruga province invited the deity to this place and built the shrine. In medieval times, Maki Yozaemon-no-jō Minamoto no Nagakiyo, lord of Maetsu Kobayashi Castle, revered Fuji Gongen and made a vow to make seven pilgrimages. He went down to Suruga three times to climb the mountain, but in his later years, unable to endure the long journey, he fulfilled his remaining four visits by worshipping at this shrine. Therefore, it is said that the shrine was renovated at that time. Also, a descendant of Murase Samanosuke, a retainer of Lord Nobunaga, became a mountain ascetic called Daienbo and served as the joint head priest of both Daijōin and this temple. His son Hōjuin received the land of this shrine from the domain lord and [established] Seiju-