翻刻
《割書：昨木続集 昨木齊
｜ 門真￣ノ神殿発＿二修営＿一次第琢磨功既成白象列＿レ￣シテ檐￣ニ装＿二気｜ 色＿一翠簾扁＿レ鏡仰＿二鮮明＿一及＿レ宵灯￣ハ烜￣ク玉牆￣ノ畔追＿レ旦￣ヲ龍￣ハ歕￣ク井｜ 水￣ノ声清潔洗＿レ￣テ心￣ヲ前＿二￣ミ稽拝＿一安全祈＿レ世致＿二精誠＿一道昌￣ニシテ畏感￣ス｜ 八雲￣ノ詠笛伝￣テ普￣ク知一曲￣ノ名遥￣ニ見￣ル境中林木￣ノ聳￣コトヲ遠来￣ノ詣｜ 客不＿レ迷＿レ程￣ニ》
《割書：西遊紀行別録 熊阪台洲
｜ 張陽十里大江￣ノ南遥￣ニ見￣ル朱楼照＿二￣スヲ碧潭＿一百丈￣ノ長橋従＿レ北｜ 度￣リ千秋￣ノ霊跡向＿レ￣テ西￣ニ探￣ル牛頭￣ノ廟貌知￣ンヌ何￣レノ守￣ソ鶴背￣ノ仙人未｜ 《割書： ｜レ》易＿レ￣ラ談￣シ但道￣フ神威駆＿二￣ルト厲鬼＿一￣ヲ先王￣ノ祝典有＿レ￣テカ誰諳￣セン》
《割書：禅余偶詠 僧瑞華
｜ 大古神陵水上浮要津誰復繋＿二龍舟＿一南朝帝子移＿レ軍｜ 日北地公孫躍＿レ馬秋万里風雲遁＿二虎口＿一千年社稷祭＿二｜ 牛頭＿一于＿レ今河畔張＿レ灯処猶想英魂月下遊》
分まとふ八雲の道のしるへせよいのるも久しすさのをの神 小沢蘆菴
つまこめしその神よりそことの葉の世々に絶せぬ出雲八重垣 萩原宗固
八重垣の神代人のよへたてなくいやさかえゆくことの葉の道 本居大平
おさまれる御代のためしに言のはのかすもていのる出雲八重垣 度會重養
新宮の春のはしめそ目かゝやくあけのわたとの朱の玉垣 徤男
《割書： ｜津島八景 居森夜雨》
雨くらき居森のかけの深き夜にもるおとさひし木々の下露 僧止水
現代語訳
《割書：昨木続集 昨木斎
門真の神殿の修営を発する次第、琢磨の功既に成り、白象が軒に列なって装気色をなし、翠簾が鏡を扁して鮮明を仰ぐ。夕べに及んで灯は玉垣の畔に烜き、旦を追って龍は井水の声に歕く。清潔に心を洗って前に稽拝し、安全を世に祈って精誠を致す。道昌にして畏感する。八雲の詠、笛に伝えて普く知られ、一曲の名を遥かに見る。境中の林木の聳えることを、遠来の詣客は程に迷わず》
《割書：西遊紀行別録 熊阪台洲
張陽十里、大江の南、遥かに朱楼が碧潭を照らすを見る。百丈の長橋、北より度り、千秋の霊跡、西に向かって探る。牛頭の廟貌、何れの守か知らん。鶴背の仙人、未だ談じ易からず。但だ道う、神威厲鬼を駆ると、先王の祝典有りて、誰か諳せん》
《割書：禅余偶詠 僧瑞華
大古神陵水上に浮かび、要津誰か復た龍舟を繋がん。南朝帝子軍を移す日、北地公孫馬を躍らす秋。万里風雲虎口を遁れ、千年社稷牛頭を祭る。今に于いて河畔灯を張る処、猶想う英魂月下に遊ぶを》
分け迷う八雲の道の導べせよ、祈るも久し須佐之男の神 小沢蘆菴
妻籠めしその神よりぞ、言の葉の世々に絶せぬ出雲八重垣 萩原宗固
八重垣の神代人の世へ建てて、いや栄えゆく言の葉の道 本居大平
治まれる御代の例に、言の葉のかすも帝祈る出雲八重垣 度会重養
新宮の春の始めぞ、目輝く明けの渡との朱の玉垣 健男
《割書：津島八景 居森夜雨》
雨暗き居森の陰の深き夜に、漏る音寂し木々の下露 僧止水
英語訳
《Side note: Sakuragi Sequel Collection by Sakuragi Sai
The process of commencing repairs to the sacred hall at Monzen: the work of polishing is already complete, white elephants line the eaves creating a magnificent appearance, and emerald curtains frame mirrors that shine brilliantly. As evening comes, lanterns illuminate the area beside the jeweled fence, and as dawn approaches, dragons breathe in the sound of well water. Purifying the heart with cleanliness, bowing in worship before the shrine, praying for the world's peace and offering sincere devotion. The Way flourishes and inspires awe. The poetry of Yakumo, transmitted through flute music and widely known, the fame of this single melody seen from afar. Pilgrims coming from distant places do not lose their way to the soaring forest trees within the sacred precincts}}
《Side note: Western Journey Record Supplement by Kumasaka Daishū
Ten ri from Chōyō, south of the great river, one sees from afar vermillion towers reflecting on the blue depths. The hundred-jō long bridge crosses from the north, and the sacred site of a thousand autumns is explored toward the west. The temple appearance of Gozu - who knows what guardian protects it? The immortal on crane's back cannot easily be spoken of. I can only say that divine power drives away evil spirits, and there are ritual celebrations of former kings - who could memorize them all?}}
《Side note: Zen Leisure Occasional Poems by Monk Zuika
Ancient divine mausoleums float on the water, who will again moor dragon boats at this vital crossing? The day when the Southern Court prince moved his army, the autumn when Duke Gongsun of the northern land spurred his horse. For ten thousand ri, wind and clouds escaped the tiger's mouth; for a thousand years, the state has worshipped Gozu. Even now at the riverside where lanterns are lit, one still imagines heroic souls wandering beneath the moon}}
Show the way through the eight-layered clouds where I wander lost, long have I prayed to the god Susanoo - Ozawa Roan
From that god who took a wife, the words that never cease through generations, the eight-fold fence of Izumo - Hagiwara Munehisa
The eight-fold fence that people of the divine age established for the world, the ever-flourishing path of poetry - Motoori Ōhira
As an example for this peaceful reign, even the faint words I offer in prayer, the eight-fold fence of Izumo - Watarai Shigenobu
The beginning of spring at the new shrine, the vermillion jeweled fence of the radiant dawn crossing - Takeo
《Side note: Eight Views of Tsushima: Night Rain at Imori Forest}}
On a dark rainy night in the shadow of Imori forest, the sound of dripping is lonely, dew beneath the trees - Monk Shisui