翻刻
与日野大納言弘資卿被遊候也
三日 職久雑掌■久両人狩野外記所へ被使
右縁起七段ノ間間々之絵之事を被頼候也
五日 勧修寺中納言歟御参社有之而於楼門之内
石壇而奉幣有之也為幣料弐百疋社納
但幣ノ取次ハ季周也 幣ヲ先幣殿ニ置テ
持テ出ラルヽ也大形中門ヨリ西方ヨリ指寄被申候
是ハ東方ヨリ寄而被渡候也 御前へ持参候時ハ
中門唐戸大床ニ至也作法如常
六日 公儀之横目衆《割書：庄介殿
一人》 御参候而直ニ木船へ
御通候故職久 ■久騎馬ニ而追付■ス鞍馬へ
御立寄以後ニ貴布祢へ端社之拝殿ニ而御酒
進上也
今日楽人衆十弐人於御札屋而二三度音楽
被奏也是ハ当社御神事之時楽器寄進方
有之而太鼓 笙 篳篥 鞨鼓以下出来
現代語訳
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…日野大納言弘資卿と共に（縁起を）御覧になられた。
三日 職久・雑掌（■久）の両名が狩野外記の元へ使いとして遣わされた。
前述の縁起七段の間々の絵のことについて依頼された。
五日 勧修寺中納言と思われる方が当社に御参拝され、楼門の内の石段にて奉幣が行われた。幣料として二百疋が社に納められた。
ただし、幣の取次は季周が務めた。幣をまず幣殿に置いてから持ち出される。通常は中門より西方から参進されるところ、今回は東方より寄って渡された。御前へ持参する際は、中門の唐戸の大床まで進む。作法はいつも通りである。
六日 公儀の横目衆（庄介殿、一人）が御参拝になり、そのまま木船へお通りになったため、職久・（■久）が騎馬にて追いついた。鞍馬へお立ち寄りの後、貴船（貴布祢）の末社の拝殿にてお酒を進上した。
今日、楽人衆十二人が御札屋にて二、三度、音楽を奏でた。これは当社の御神事の際に楽器を寄進する者があり、太鼓・笙・篳篥・鞨鼓以下の楽器が揃ったためである。
英語訳
(Continued from the previous page)
…(the shrine records) were viewed together with Dainagon (Major Counselor) Hirōsuke of the Hino family.
3rd day: Shokuhisa and the estate manager (■hisa), two persons, were sent as messengers to Kano Geki's residence. They were asked regarding the paintings between the seven sections of the aforementioned shrine origin story (engi).
5th day: It appears that the Middle Counselor (Chūnagon) of Kajūji visited the shrine. An offering of sacred streamers (heihaku) was made at the stone steps inside the Rōmon (tower gate). Two hundred hiki were donated to the shrine as the offering fee.
The intermediary for the offering was Suenori (季周). The offering was first placed in the Heiden (offering hall) and then brought out. Normally, the approach is made from the west side of the central gate; however, on this occasion, it was approached from the east side. When brought before the deity, the procession proceeded to the large floor area at the Chinese-style gate (kara-to) of the central gate. The ceremonial procedures were as usual.
6th day: Officials of the bakufu serving as inspectors (yokome), namely Shōsuke-dono (one person), visited the shrine and proceeded directly to Kifune. Shokuhisa and (■hisa) followed on horseback. After stopping at Kurama, they proceeded to the auxiliary shrine at Kibune (Kifune), where sake was offered to the visitors at the haiden (worship hall).
Today, twelve musicians performed music two or three times at the御札屋 (amulet hall/office). This was because someone had donated musical instruments for use during the shrine's sacred ceremonies, and instruments including taiko (drums), shō (mouth organ), hichiriki (double-reed pipe), kakko (barrel drum), and others had been assembled.