翻刻
只今織出同前之由也
御几帳上ハ白下二分ハ蘇芳染 スソコ也
御前ニ二布 後ニ二布 両脇ハ一布ニテハ
弐三寸計不足故二布ニテ内へ重入テ有
之紐ニ根篠蜷結等有之
萌黄色ノ絹四尺余も可有之歟所々ニ掛
紐付テ有之
御几帳ノ内ニ御畳上ニ御茵其上ニ掛角《割書：シンチウ歟
》
御鏡 《割書：掛角ハ前□アリ
鏡ハ後ニアリ》其外無一物外ニ又今度
新敷サヽセラルヽ高サ壱尺弐寸計幅一尺
計ノモミ板ニテ筥ヲサシ鎖ノ心ニ如擔子
上ヨリ鍵ヲ入開様ニシタル箱薄衣ヲ蓋ニ乄
有之定而御枕又舎利塔ヲ入被申候哉如
何トノ事
御幣串大瓶畳等ハ假迁宮之時高倉へ入
次手ニ被申候ハ迁宮伝授之事英顕可
現代語訳
（前頁より続き）ただ今織り出したものと同様とのことである。
御几帳（みきちょう）は、上は白地で、下二分は蘇芳染（すおうぞめ）のすそこ（裾子）なり。
御前に二布（ふたの）、後ろに二布、両脇は一布では二、三寸ほど不足するゆえ、二布にて内へ重ね入れてある。紐には根篠（ねしの）・蜷結（みなわむすび）等あり。
萌黄色の絹、四尺余もあるべきか。所々に掛紐を付けてある。
御几帳の内に御畳、その上に御茵（おしとね）、その上に掛角〔真鍮（しんちゅう）か〕。
御鏡〔掛角は前に□あり、鏡は後ろにあり〕。その外には一物もなし。外にまた、今度新しく作らせられた、高さ一尺二寸ほど・幅一尺ほどの揉み板にて箱を作り、鎖の心に担子（たんす）のごとく、上より鍵を入れて開くようにした箱に、薄衣を蓋にして有り。定めて御枕、または舎利塔（しゃりとう）を入れ申されたるか、いかにとのこと。
御幣串（ごへいぐし）・大瓶（おおかめ）・畳等は、仮遷宮（かりせんぐう）の時に高倉（たかくら）へ入れた。
次いで申されたのは、遷宮伝授の事について、英顕（えいけん）が…（次頁へ続く）
英語訳
(Continued from previous page) It is said to be the same as freshly woven cloth of today.
The decorative curtain stand (mikichō): the upper portion is white, and the lower two-tenths (two bu) is dyed in sappanwood red (suō-zome), forming the hem section (susoko).
On the front are two-width panels (futa-no), and two-width panels at the back; the side panels each lack about two or three sun if made from a single width, so two widths of fabric were used and overlapped inward. The cords feature root-bamboo fastenings (neshino) and spiral knot ties (minawamushubi), among others.
There appears to be more than four shaku of bright green (moegi-iro) silk, with hanging cords attached at various points.
Inside the mikichō curtain stand: a tatami mat, on top of which a cushioned seat (oshitone), and on top of that a hanging corner fitting (kake-kado) [possibly brass (shinchū)].
A sacred mirror (mikagami) [the hanging corner fitting is □ at the front, and the mirror is at the back]. Apart from these, nothing else was found. Outside, there was also a newly made box of approximately one shaku two sun in height and one shaku in width, constructed of molded board (momiban), designed like a carrying chest (tansu) with a lock at its core, openable by inserting a key from above, with a thin cloth serving as its cover. It was wondered whether this box certainly contained a sacred pillow (o-makura) or perhaps a reliquary (shāritō); the matter remains unclear.
The gohei sticks (御幣串), large jars (ōkame), tatami mats, and the like were placed in the Takakura storehouse at the time of the temporary enshrinement ceremony (kari-sengū).
Furthermore, it was mentioned that concerning the transmission of enshrinement ceremonies (sengū denjū), Eiken should… (continues on next page)