翻刻
右之図之如クニ階上太床ニハ畳ノ表ノ上敷也仮殿ノ
前ニモ井ノ表也今日昼御料過テ内陣被餝之時予
月奉行衆自高倉取出相渡覚
浜床《割書：半畳敷
計有之》 天井《割書：黒塗四角
ノクミ天井也》 中白シ四方ノ柱
四本内弐本ニハ打釘有之神鏡ヲツリ可申為也
浜床ノ四方ニ唐獅子牡丹ノ絵アリ今度フチ〱
ヲ塗直シ絵ヲ書直也木地ハ寛永之時ノヲ用也
内陣之御幣串《割書：凡四尺計也
三尺六寸也》 上下ニサカ輪アリ
黒塗弐本幅弐寸計薄絹ニ而弐枚四下ニ新敷
付之串ハ塗直也大瓶ノ壺塗直也弐ケノ外
陣ノ八脚左右分御台盤弐ツ皆塗直也
高坏二ツ同■上寛永之時出来候ヲ塗直迄也
新宮太田貴布祢但端社分也 権殿ニハ無之又
奥之分ハ端社八脚等ヲ用別ニハ無之但外陣
之御台盤ハ壱ツ進之也丸盤三ツ遣之
右七社ト貴布祢ノ分同前但新調物ハ水引第一
現代語訳
右の図のように、階上の太床（ふとどこ）には畳の表（おもて）を上敷きにした。仮殿の前にも井の表（いのおもて）を敷いた。今日、昼の御料（ごりょう）が過ぎて内陣を飾り付ける際、予（＝筆者）は月奉行衆と共に高倉より取り出して引き渡した覚え（記録）。
浜床《割注：半畳敷のみ》 天井《割注：黒塗りの四角い組み天井》 中は白く、四方の柱四本のうち内側二本には釘が打ってあり、神鏡を吊るすためである。浜床の四方に唐獅子牡丹の絵がある。今度は縁（ふち）を塗り直し、絵も書き直した。木地（きじ）は寛永の時のものを使用した。
内陣の御幣串《割注：およそ四尺ほど、（実測）三尺六寸》、上下に榊輪（さかわ）あり。
黒塗り二本、幅二寸ほどの薄絹二枚を四下（しもと）に新しく付けた。串は塗り直し。大瓶の壺も塗り直し。二か所の外陣の八脚（やつあし）、左右の御台盤（おんだいばん）二つ、いずれも塗り直し。高坏（たかつき）二つも同様。■（欠字）上は、寛永の時に出来たものを塗り直したに過ぎない。
新宮・太田・貴布祢はただし端社（はたしゃ）の分である。権殿（ごんでん）にはない。また奥の分は端社の八脚等を使用し、別途のものはない。ただし外陣の御台盤は一つを進（たてまつ）った。丸盤（まるばん）三つを遣わした。
右七社と貴布祢の分は同前（同様）。ただし新調の物は水引（みずひき）が第一（筆頭）…
英語訳
As shown in the diagram on the right, the upper floor's main platform (futodoko) was covered with a spread of tatami facing (omote). In front of the temporary shrine (kariden) as well, a well-patterned mat facing (i no omote) was laid. Today, after the midday meal offering (goryō) had passed and the inner sanctuary (naijin) was being decorated, I (the author) recorded what was retrieved from the Takakura storehouse and handed over together with the monthly magistrates (tsuki-bugyō-shū).
Hamadoko (low platform) 《Interlinear note: with only a half-tatami spread》; Ceiling 《Interlinear note: a coffered ceiling with black-lacquered square panels》; the interior is white, and of the four pillars on all four sides, the inner two have nails driven in for the purpose of hanging the sacred mirror (shinkyō). On all four sides of the hamadoko there are paintings of Chinese lions (karashishi) and peonies (botan). For this occasion, the borders (fuchi) were repainted and the paintings were redrawn. The wooden base (kiji) from the Kan'ei era was reused.
The gohei staff (mitegura-gushi) of the inner sanctuary 《Interlinear note: approximately four shaku in length; measured at three shaku six sun》, with sakawa (榊 wreath rings) attached at both the top and bottom.
Two black-lacquered staffs, with two pieces of thin silk approximately two sun wide newly attached at the lower section (shimoto). The staffs were repainted. The large jar (ōbin no tsubo) was also repainted. The two sets of eight-legged stands (yatsuashi) in the outer sanctuary (gejin), and the two offering tables (ondaiban) on left and right, were all repainted. The two tall ritual stands (takatsuki) were similarly treated. The ■ (illegible character) above represents items that date from the Kan'ei era and were simply repainted.
The Shingū, Ōta, and Kifune (shrines) are, however, the apportionments for the subsidiary shrines (hata-sha). These are not present in the auxiliary shrine (gonden). Furthermore, for the inner precinct's portion, the subsidiary shrine's eight-legged stands and the like were used, with no separate items. However, one offering table (ondaiban) from the outer sanctuary was presented. Three round trays (maruban) were sent.
The above-mentioned seven shrines and the Kifune portion are the same as above. However, among the newly ordered items, the water-string decorations (mizuhiki) are listed first…